October 17, 2008

Parramatta artists cheer new Premier Rees

From the Parramatta Sun:

Local artists and arts executives have praised Premier Nathan Rees for his recent commitment to boost the arts in western Sydney.

Mr Rees, who grew up in the west and has taken on the role of Minister for the Arts as well as that of Premier, said he had a vision for the arts in western Sydney.

''I am committed to shifting the emphasis away from the city and out into our regions and our suburbs,'' he said.

''I want to give kids the opportunity to develop their creative skills locally and improve access to, and support for, arts spaces.''

Local artists Vaughan O'Connor, Vincent O'Connor and Mark Brown, who are working on an interactive multimedia installation in the Brandsmart building in Parramatta, said that support for the arts should encourage artists to base themselves in western Sydney.

The three, who are working on the installation for this year's Riverbeats festival, Parramatta's signature cultural event, also said that extra funding should go into turning existing under-used buildings such as the Brandsmart building into productive spaces for artists.

Riverside Theatres director Robert Love said most state government funding for arts, cultural events and festivals had been directed at activities ''within five kilometres of the Opera House''.

Mr Love said it looked as though Mr Rees would redistribute a fair share of arts funds to where the need and the people are.

The chief executive of the Joan Sutherland Performing Arts Centre in Penrith, John Kirkman, said western Sydney was one of the nation's cultural generators, but didn't have parity of resources with some of the major ''sandstone institutions'' in the city.

''Arts and culture are a big part of our lives,'' Mr Kirkman said.

''Our audiences like quality. If it's quality, they come. If it's rubbish, they don't come.''

Parramatta's new lord mayor, Tony Issa, said Parramatta was already home to many art venues.

''The balance of arts facilities is shifting to the huge and populous region of western Sydney,'' he said.

September 27, 2008

New NSW State Government contact details

If you want to write to an MP to voice your support, and we strongly urge you to do so, here are the best people to contact (click on their names to get the details of phone, email and postal addresses) following the recent changes in the Cabinet:

Hon. Nathan Rees Premier

Hon. John Della Bosca, Minister for Health

Hon. Kristina Keneally, Minister for Planning

Hon. Linda Burney, Minister for Community Services

Hon. David Borger, Minister for Western Sydney

Write a few sentences in your own words and fire it off today!

Parramatta MP Julie Owens tells Federal Parliament about the precinct

Hansard

The site has a long history of abuse, degradation and shameful conditions for both women and children, firstly as the Female Convict Factory and then through the Parramatta Industrial School for Females and finally the Parramatta Girls Home and Kamballa. It is an ugly story but it is a history that we should not back away from. It is a history that needs to be told. As many as one in five Australians today are descended from women who were once incarcerated in the Parramatta Female Factory Precinct, and members should consider that for a moment—that is, 20 per cent of all Australians, well over four million people, have a direct family link to women who were incarcerated on that site over its two-century history. Yet, while the Cascades Female Factory in Tasmania has been excavated extensively and is under consideration for World Heritage listing, there have been no similar archaeological digs conducted in Parramatta. We need to preserve this site and celebrate its heritage.

Finally, I would like to acknowledge the work of Bonney Djuric, who has worked so hard to raise the profile of this site. In 1970 Bonney spent nine months in the Parramatta Girls Home, when she was just 15 years old. Her experiences are mirrored by the many stories told by the report of the 2004 Senate inquiry into children in institutionalised care, known as Forgotten Australians. Members who have not read that report would be well served by doing so.

The Parramatta Female Factory Precinct is an extraordinary site, and if you peek in through the gates your imagination will run wild as mine did and you will wonder why such a treasure and such an opportunity to preserve and acknowledge our history has been ignored for so long.

Read the whole speech

Email your comments to Julie Owens or call her Parramatta office on 02 9689 1455

May 28, 2008

Parramatta heritage gets federal budget boost

Parramatta Sun 21 May:

Heritage tourism in Parramatta received a much needed funding boost of $500,000 from last week's federal budget.

The allocation to Parramatta Council, for its tourism strategy Parramatta Stories, was promised by the ALP during last year's federal election campaign and was applauded by Lord Mayor Paul Barber.

"The new investment means that Parramatta will be able to consolidate its position as a major highlight of Sydney's tourism industry,'' Cr Barber said.

Federal MP Julie Owens said with Old Government House and the Domain in Parramatta Park nominated for World Heritage listing, the project would capitalise on the city's projected future growth and help develop it into a first-class tourist gateway.

The 10-year Parramatta Stories project will have three stages, the first of which receives the funding to create an "outdoor living museum'' through stories and interpretation of its rich and diverse cultural heritage.

The "living museum'' concept involves a series of themed trails linking key heritage sites across the city including Old Government House, Elizabeth Farm, Hambledon Cottage and the Female Factory precinct.

May 22, 2008

Bonney Djuric (Parragirls) on ABC's Verbatim program tonight

Listen tonight at 8.35pm on Radio National (also repeated Sunday 5am). Here's the promo:

In 1970 Bonney Djuric (pictured at the girls home by SMH) spent 9 months in Parramatta Girls Home, she was just 15 yearsBonney old. This was a child welfare institution that operated from 1887 until 1986 in Western Sydney. It's an experience that she'll never forget.

Bonney is one of 500,000 Australians who were in an orphanage or some other form of out-of-home care during last century.

The 2004 Senate enquiry into children in institutionalised care, known as 'The Forgotten Australians', heard stories which told of emotional, physical and sexual abuse. They also heard from those who had been neglected and humiliated by people charged with their care. Bonney's experience was no exception.

Around 30,000 girls aged from 11 to 18 passed through Parramatta Girls Home.
They were considered 'at risk' by the authorities. Many were from the Stolen Generations, single parent families, foster homes, orphanages, state homes or regarded as 'criminal' girls.Bonney and a group of former inmates got together and organized a reunion in the grounds of the home in 2003. It was an opportunity to share their traumatic stories.

Parramatta Female Factory Precinct was formed in 2006 and the women have proposed to preserve the Parramatta site as a National Women's Heritage Centre including a 'Living Memorial' for Forgotten Australians and the Stolen Generations. The home continues its long history as a place of incarceration as the Norma Parker Periodic Detention Centre for women.

Update: A great program! Listen here.

May 09, 2008

Listen to Phillip Adams interview on "Hay Girls"

Phillip_adams_2 Phillip Adams interviewed playwright Alana Valentine and former Hay Girl Christina Riley Green last night (replay 4.30 pm today)

From 1961 to 1974, the Hay Institution operated as a total security institute for incorrigible girls committed to the care of the child welfare department. It was here in an old disused gaol that girls that were deemed too difficult for Parramatta Girls Home were sent. The aim of the Hay Girls Institution was to crash the girls' spirits and for many this is exactly what happened.

Playwright Alana Valentine has written a sequel to her play Parramatta Girls called Eyes to the Floor, based on the experiences of the girls incarcerated in Hay.

Also available through download and streaming audio.

Parramatta MP, Tanya Gadiel, tells NSW Parliament about the Parramatta Female Factory project

From Hansard: Ms TANYA GADIEL (Parramatta—Parliamentary Secretary) [5.51 p.m.]: InTanyag 1871, just 137 years ago, the population of Australia was around two million, with just over 500,000 living in New South Wales and just under 140,000 living in Sydney. Outside Sydney lay Parramatta, first explored by Europeans on an expedition headed by Captain Arthur Phillip in April 1788. Phillip identified a location on the curve of the Parramatta River marked by a crossing of flat stones. That is where he envisaged a jail town and farm—a place that through industry and sacrifice became the crucible within which much of Australia was born. Phillip named this location Rose Hill, but it was not long until the name Parramatta was adopted—a variation of Burramattagal after the local Aboriginal people. To my knowledge, this is the first European settlement location named after the indigenous people of this country.
    
Nearby on a rise overlooking the river stands Australia's oldest public building—our first Government House, and home to the first 12 Governors of the colony. It is also the place where the Burramattagal fished the waters of the Parramatta River. They marked it as a woman's place—a place where the salt waters of the harbour blended with the freshwaters of the river, a place for ceremony, for matrimony and for the gathering of tribes. Back in the early days of the colony the river marked the divide between those who ruled and those who were ruled. On the opposite shore stood the town jail, the female factory and a government orphanage for Roman Catholic children, which would later become the Parramatta Girls Home. We have become aware of the appalling way in which those young women were treated, which was a national disgrace.
    
Most people are unaware that almost 20 per cent of convicts were women and that on arrival all unassigned women were taken to Parramatta. Even assigned women would invariably spend time at the factory. For many it offered a safe refuge. For others it offered a marriage bureau, a hospital for the sick, destitute or nursing mothers, a place of employment or a place of incarceration and punishment. In many ways the female factory was an Australian variation on the English workhouse where women and their children lived, worked and served out their sentences. The women who lived there were the founding mothers of this nation, but instead these women were betrayed as damned whores, incorrigibles and wanton creatures beyond redemption. However, it was they who spun the first fleece and produced the first woven cloth in Australia. All this took place within the high walls of the Parramatta female factory. The precinct has been tainted with a legacy of immorality, criminality and, in the latter part of its history, insanity. This insidious legacy has had a significant impact on later generations confined to the precinct's institutions.
    
For the convict women and for the later generations of institutionalised kids—the thousands of forgotten Australians—no place is dedicated to their memory. It is time that all these Australians and the site were acknowledged. The Parramatta female factory is a site of memory and of conscience. It could be a world-class site of new cultural expressions by linking the rich narratives of the site's past to a multicultural, intergenerational exploration of art and new media, thereby increasing tourism opportunities and delivering real economic, social and cultural benefits to the region. It could also tell the story of the convicts in Australia. Its designation would affirm that we have moved forward, that we are a nation that values equality and that we strive for reconciliation with our past and the traditional owners of the land.
    
I have become aware of a rumour that this site will be used to house rapists and paedophiles. I believe that to be unfounded and I have been given assurances by the Attorney General that it is not true. Within Parramatta there is significant community opposition to this proposal, if indeed it is a proposal. A campaign has been initiated by the former Parramatta girls to designate this and the adjacent female factory site as a living memorial to women and the forgotten Australians. I completely support their campaign and thank Bonney Djuric for bringing this matter to my attention. I will work with her, the Parramatta girls, the Parramatta community and this Government to ensure that her dream becomes a reality. I thank Bonney for her passion. She is a wonderful woman. I thank her for spending so much time with me and for telling me about this story and her vision for this site.

Email your comments to Tanya Gadiel
    

March 27, 2008

Parramatta Girls - their stories

The Parramatta Sun did a great job on yesterday's open day with this story and a compelling slideshow , which features some former inmates reflecting on their experiences and the impact they had on their lives.

March 26, 2008

SMH story on open day

Link to story. Story by Joel Gibson, photo by Peter Rae

"YOU can see what it's about," Bonney Djuric says of the painting, right. "It's about the experience of every girl who was ever incarcerated, locked inside, looking out."

In 1970, at age 15, Ms Djuric spent about nine months in the notorious Parramatta Girls Home, where 30,000 women convicts, orphans, child migrants and "uncontrollable" girls were locked up between 1804 and 1974.

Bonneydjuric_wideweb__470x3122 Most left with tales of uncompromising discipline and physical and emotional abuse. Some experienced rape and unwanted pregnancy at the hands of staff and doctors.

"No one who came in here went out unmolested," said one former inmate, Marjorie Woodrow, at an open day yesterday.

The grand heritage building has since been used as a periodic detention facility for women prisoners, one of whom painted the memento, in a bricked-up window, of her childhood stay there.

Workmen are sandpapering away remnants of the home's history - along with the names scratched into the sandstone walls in the solitary confinement "dungeon" below - in preparation for the building's reuse as a men's prison.

But Djuric and her peers want the home and its surrounds to be maintained as a support services hub and a "living memorial". Under their proposal, a research centre, an arts centre and an intensive learning centre for disadvantaged children would be based on the site, to inform the work of academics and social workers involved in child protection.

They would sit alongside organisations such as the National Elders Council established by Ms Woodrow, a stolen generations campaigner. About one in 10 Parramatta Girls inmates were indigenous.

On the day of the national apology, Ms Djuric handed the Prime Minister, Kevin Rudd, a letter outlining the plan, saying it would combine "art, history, technology and tourism into a site of economic opportunity, national significance and international recognition".

About 50 of the women gathered again at the decrepit home yesterday and walked their families through the dormitories and the haunting crypts beneath.

Judy Divargue, 61, who had returned from Denmark after 43 years to attend, said nobody there believed her stories about life in institutions until they began to filter through via news reports on the internet.

"It was like a concentration camp here and [at the home] in Hay," she said. "I ended up here because I was scared of my father and I ran away from home when he beat me. Now people are realising."

February 24, 2008

The war on heritage in NSW

An open letter from National Trust President, Zeny Edwards: "The major restructure at the Department of Planning is yet again set to denigrate the value of heritage with the announcement of the ‘dismantling’ of the Heritage Office. The Office has been emasculated with most of its staff relocated elsewhere in the Department and only a ‘core’ left to service the Heritage Council. This move reinforces the view that heritage is a very low priority for government, being seen as the obstacle to development. Most notably, the Heritage Office has been sidelined under Part 3(A) of the NSW planning legislation, which enables Minister for Planning Frank Sartor to approve developments deemed ‘State significant’, overriding heritage and environmental policies and legislation. It is sad but true that the National Trust may be the only community advocate left to fight for heritage. Its own survival is seriously under threat because of drastic cuts to government grants. To r! ead the letter in its entirety please Download war_on_heritage.pdf"

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